Exploring the vast potential of the classical guitar has always been a passion of mine. Over the years, I've delved into the art of transcribing various pieces for this beautiful instrument, drawn to its rich harmonies, expressive colors, and unique techniques like rasgueados and harmonics.
In my quest to bring new life to cherished compositions, I've carefully selected some of my favorite works to arrange for the guitar. This journey has been both challenging and rewarding, made possible by the guidance and mentorship of esteemed teachers such as Eliot Fisk, Joaquin Clerch, Pedro Mateo, Pablo Zapico, Miguel Trápaga, and Teresa Felgueira.
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PS: These transcriptions represent years of dedicated effort and research. As such, I kindly request that the scores remain private and not be shared or posted online. Your understanding and respect for this request are greatly appreciated.
La transcription de “Sevilla” d’Isaac Albéniz pour guitare est née de ma fascination pour la richesse rythmique et mélodique de cette œuvre, initialement écrite pour piano et inspirée de la sevillana, l’un des genres les plus emblématiques de la musique populaire espagnole. En transcrivant la pièce, j’ai cherché à préserver l’énergie et la vivacité caractéristiques de cette danse, tout en explorant les possibilités expressives et dynamiques de la guitare pour mettre en valeur l’essence flamenca d’Albéniz. Cette adaptation offre une nouvelle perspective sur l’œuvre, permettant aux guitaristes et aux auditeurs de ressentir l’intensité et les couleurs de “Séville” d’une manière plus intime et directe.
The transcription of Mozart’s “Lacrimosa” for four guitars arises from my deep appreciation for this masterful work, which encapsulates emotional intensity and unique beauty. The “Lacrimosa” is not just a musical piece; it is a reflection on the fragility of the human condition and the search for solace in moments of pain. By adapting it for the format of guitar quartets, I aimed to explore new sound textures and nuances that enhance the expressiveness of the work, allowing the melodic richness of Mozart to resonate in an innovative way. This transcription not only celebrates Mozart’s genius but also invites performers and listeners to experience this emotional journey in a new context.
The transcription of Tárrega’s “Lágrima” for a string quartet arises from my deep appreciation for this intimate and poetic piece, which expresses unique melancholy and beauty. “Lágrima” is not just a composition for guitar; it is a meditation on the fragility of feelings and the depth of human emotions. By adapting it for the format of a string quartet, I aimed to explore new sound textures and harmonic layers that enhance the expressiveness of the work, allowing Tárrega’s melodic essence to resonate in an innovative way. This transcription not only celebrates Tárrega’s genius but also invites performers and listeners to experience this emotional journey in a new context.
